Publications

Schneeflockenbücher

  • Podcast | Generation Snowflake https://soundcloud.com/schneeflockenbuch/solidaritat-unter-schneeflocken-podcast-1
  • Collective Writing | article about “jewellery, shame and disgrace” | “Schmuck, Scham und Schande”| editors: Viola Nordsieck, Timo Klattenhoff, Johanna Montanari | Neofelis Verlag, 2020.
  • Dwelling in Things and Words. |Wohnen in Dingen und Worten. Sammeln und Lesen bei Walther Benjamin. | Master Thesis | Committee Members: Aleksandra Prica, Richard Langston, Henry Pickford, Frederic Jameson | Duke University, 2018.
  • Interview with the Swiss Magazine Annabelle about Human Remains Jewellery |Interview Human Remains Jewellery | Facebook Human Ivory| 2018.
  • Transculturality in the Museum | Transkulturalität im ethnologischen Museum. Corinna Egdorf, Ute Thomas and Raúl Acosta | editors: Hans Vorländer/Felicitas von Mallinckrodt: Beiträge zur Henry Arnhold Dresden Summer School, Dresden, Transkulturalität im ethnologischen Museum, 2017.
  • Keynote on “The Tattooing Motif of the ‘South Seas Belle’: An iconological and cultural-technical interpretation of the tattoo imagery of Christian Warlich (1890-1964)” at the Grassi-Museum Leipzig, Germany | Facebook Event Grassi Museum | Newspaper Article Grassi Museum | Keynote Prezi Keynote Prezi, 2017. 
  • Bass Connections Project | Questionnaire among artists and gallerists within the and Arts & Markets Seminar with Professor Hans Miegroet |Duke University, Art History, 2017.
  • Mention | Geoghegan, B. D. (2016). Mind the Gap: Spiritualism and the Infrastructural Uncanny. CRITICAL INQUIRY, 42(4), 899-922. [mentioned my help on p. 899 in Mind the Gap], 2016.
  • Kulturwelle |Radio Moderation & Editing | Academic History of the Kulturwissenschaft | Kulturwelle, 2015.
  • The Tattooing Motif of the ‘South Seas Belle’: An iconological and cultural-technical interpretation of the tattoo imagery of Christian Warlich (1890-1964) |Das Tätowiermotiv der ‚Südseeschönheit’. | Masterarbeit zur Erlangung des akademischen Grades Master of Arts im Studienfach Kulturwissenschaft, Humboldt-Universität zu Berlin, 2015.
  • Glamour Interview | Crowdfunding, Fair Trade, Urban Nomades | Felt and Leather Jewellery and Cases | Interview Glamour Project Kancha, 2014.
  • Exhibition Catalogue “Jewellery. Skin. Fashion.Material and Myth.” | Pergamon Palais, Berlin | Exhibition Catalogue |Interview Exhibition Opening CouchFM, 2014.
  • The advertising Myth of Nivea. | Mythos Nivea. Vergleich von Werbeanzeigen der Marke Nivea nach der Mythentheorie Roland Barthes. Bachelorarbeit zur Erlangung des akademischen Grades Bachelor of Arts im Fach Kulturwissenschaft, Humboldt-Universität zu Berlin, 2012.
  • Goethe-Institut ChopShots Film Festival | Tasks: Editing, Fringe Events, Jury Hospitality|Goethe Chop Shots Festival (Video featured 4:03 min) | Festival Catalogue, 2012.
  • The Southeast Asia Movie Theater Project | Co-curation of the photographic exhibition | Photographic Exhibition, 2012.
  • The myth of the brand Nivea and the pop icon Rihanna | Leipzig & Berlin | Interview detektor.fm, 2012.
  • Interview | Nordwest Zeitung | Newspaper Article, 2007.
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