Collective Writing | article about “jewellery, shame and disgrace” | “Schmuck, Scham und Schande”| editors: Viola Nordsieck, Timo Klattenhoff, Johanna Montanari | Neofelis Verlag, 2020.
Dwelling in Things and Words. | Wohnen in Dingen und Worten. Sammeln und Lesen bei Walther Benjamin. | Master Thesis | Committee Members: Aleksandra Prica, Richard Langston, Henry Pickford, Frederic Jameson | Duke University, 2018.
Transculturality in the Museum | Transkulturalität im ethnologischen Museum. Corinna Egdorf, Ute Thomas and Raúl Acosta | editors: Hans Vorländer/Felicitas von Mallinckrodt: Beiträge zur Henry Arnhold Dresden Summer School, Dresden, Transkulturalität im ethnologischen Museum, 2017.
Keynote on “The Tattooing Motif of the ‘South Seas Belle’: An iconological and cultural-technical interpretation of the tattoo imagery of Christian Warlich (1890-1964)” at the Grassi-Museum Leipzig, Germany | Facebook Event Grassi Museum | Newspaper Article Grassi Museum | Keynote Prezi Keynote Prezi, 2017.
Bass Connections Project | Questionnaire among artists and gallerists within the and Arts & Markets Seminar with Professor Hans Miegroet |Duke University, Art History, 2017.
Mention | Geoghegan, B. D. (2016). Mind the Gap: Spiritualism and the Infrastructural Uncanny. CRITICAL INQUIRY, 42(4), 899-922. [mentioned on p. 899 in Mind the Gap], 2016.
Kulturwelle |Radio Moderation & Editing | Academic History of the Kulturwissenschaft | Kulturwelle, 2015.
The Tattooing Motif of the ‘South Seas Belle’: An iconological and cultural-technical interpretation of the tattoo imagery of Christian Warlich (1890-1964) |Das Tätowiermotiv der ‚Südseeschönheit’. | Masterarbeit zur Erlangung des akademischen Grades Master of Arts im Studienfach Kulturwissenschaft, Humboldt-Universität zu Berlin, 2015.
The advertising Myth of Nivea. | Mythos Nivea. Vergleich von Werbeanzeigen der Marke Nivea nach der Mythentheorie Roland Barthes. Bachelorarbeit zur Erlangung des akademischen Grades Bachelor of Arts im Fach Kulturwissenschaft, Humboldt-Universität zu Berlin, 2012.